is the day of the dead show in George Romero’s film Canon?
SyFy’s Day of the Dead series has arrived, but does the new TV show have canonical ties to George Romero’s classic 1985 zombie flick?
Syfy The day of the Dead The TV series hopes to give the zombies a new twist, but does the series have any canonical ties to the original 1985 George A Romero film of the same name? Horror lege Romero’s The day of the Dead spawned an entire franchise, but few of the film’s remakes, sequels, or reboots have a strong connection to the original. The 1985 horror saw a group of survivors attempt to rebuild society years after the zombie apocalypse, and presented the first clues that the living dead may be more human than originally thought. .
Where the years 1978 Dawn of the Dead saw the dragging zombies converge on a mall in a satirical skewer of consumerism, The day of the Dead aimed Romero’s quick wit straight at the military-industrial complex. The main villains were all humans, and Bub the gentle zombie proved that the army can be bigger monsters than the real walking dead. Therefore, The day of the Dead is remembered as one of Romero’s darkest but brightest horror films.
2021 has already seen that of Zack Snyder Dawn of the Dead remake received a spiritual sequel unrelated to the Romero films, and now Syfy has created a Day of the Dead TV spectacle. While fans may wonder if the series has anything to do with the film, it certainly isn’t. The day of the Dead rather tells a (technically) original story. The pilot episode features a zombie named “Bub” – identified by his badge – and features a villain who shares a name with The day of the DeadRhodes, the main antagonist of Rhodes, but some name similarities are the extent of the series’ reverence for the source material.
In one of the few nods in the series to frequent the original George A Romero, collaborator of Stephen King, the two protagonists are called Cam McDermott and Luke Bowman, in reference to The day of the Deadthe antiheroes of Bill McDermott and Dr. Sarah Bowman. However, the two boys – one struggling to earn money for school fees, the other a wealthy and privileged kid – are nothing like their movie namesakes. Likewise, the foreman of the Rhodes hydraulic fracturing site is the pilot’s main human villain (alongside a short-lived, shady funeral director), but other than his domineering presence the character owes little. to the famous villain of the original film, Major Rhodes.
Most of what limits the The day of the Dead The TV show’s ability to reference Romero’s film is the inexplicable decision to place the action at the start of a zombie apocalypse. Much of what made Romero The day of the Dead standing out from a glut of similar zombie movies was the decision, as the Mad Max franchise, for the apocalypse to happen offscreen and for the story to unfold years later. This approach was an innovative initiative about thirty-five years ago, but the TV show recklessly picks up shortly before the zombies began to emerge from their graves. As a result, the The day of the Dead The TV show looks more like an outdated version Night of the Living Dead tribute that all about Romero’s post-apocalyptic zombie horror.
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